1. Duchamp describes his contestable art as "experiments", such as the "Fountain" or "Unhappy Readymade". Was Duchamp more interested in creating art or was he more interested in testing the reactions of society?
2. Everitt mentions Pollock's interest in Carl Jung and the "primitive symbols and semi-conscious patterns of automatism", is there a relationship between psychologist's theories of the unconscious mind and abstract expressionist's attempt to capture more primitive art?
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